Love And Marriage In 18th Century Essays - Philosophy Of Love

Love And Marriage In 18th Century Our aim in this paper will be to analyze and discuss the different ways in which love and marriage were dealt with during the eighteenth century and to what extent these two terms were linked together or considered as opposite. To accomplish this matter we are going to focus our attention on several works that are representative from this period and that reflect in an accurate way the social mores and more specifically, marriage conventions and romantic love. Throughout this discussion we will be emphasizing the idea that marriage is represented in these works as an institution completely detached from love and that it pursues more than anything else economic purposes and an rising in the social hierarchy. First of all we should account for the situation of English women during the eighteenth century, that despite several social improvements, continued having less rights or freedom than men within the family and marriage as an institution. Patriarchal forms were still a deep-rooted custom that ruled society, which was male-centered. Marriage was often forced on women as their only way of having a recognized position in society, but at the same time led them to slavery. Women's property could be spent to the discretion of the husband as she was considered, together with all that she owned, a possession of the husband. Significantly relevant is the fact that the convention of marriages arranged by parents was still widely accepted. Evidences of this aspect can be found in Goldsmith's work She Stoops to Conquer. At the very beginning of the play Mr.Hardcastle expresses that he has already chosen a husband for his young daughter: "Then to be plain with you, Kate, I expect the young gentleman I have chosen to be your husband from town this very day. I have his father's letter, in which he informs me his son is set out, and that he intends to follow himself shortly after." (p. 3) Mr. Hardcastle later explains that he would never control her daughter's choice, but in fact claims that Marlow "(he)'s a man of excellent understanding" (p.4), this meaning that the young gentleman should be the right option for her. Despite her initial disagreement with the idea of this established encounter with the young boy, she finally accepts the meeting after her father's exaltation of the young man's virtues. She then joyfully declares: "My dear papa, say no more (kissing his hand), he's mine, I'll have him!" (p.4). Later on in the play, Tony's false directions lead Marlow and Hastings to the Hardcastle residence, where they believe they can lodge for a decent rate before continuing on to meet Mr. Hardcastle and his beautiful daughter at his estate. This "inn" is actually Mr. Hardcastle mansion, but the travelers do not realize this since the mansion remarkably resembles an inn. Hastings is soon informed of his mistake when he meets Miss Neville, but the couple decides to leave Marlow in ignorance for the time being so that their plans for marriage will not be frustrated by his outrage and embarrassment. In a similar way, in the novel Mary the Wrongs of Woman, Mary Wollstonecraft exposes this same tendency of arranged marriages, where love is forgotten and only the possible benefits that both parts can obtain from the union are taken into account. Hence, the way in which Darnford asserts "my father and mother were people of fashion; married by their parents" (p.94) should not be taken as a striking statement for this matter was considered in the eighteenth century the usual procedure to follow . It is also important to remark that Mary loses her case because the judge considers that "it was her duty to love and obey the man chosen by her parents and relations, who were qualified by their experience to judge better for her, than she could for herself " (p.199). Therefore it is not stunning that the idea of marriage is often understood as a social custom generally detached from love. This detachment not only concerns marriage directed by someone superior but also the economical benefits taken out of it. We can set an example in Henry Fielding's Joseph Andrews, and more precisely in the chapters referring to the story of the young lovers Leonora and Horatio. With the appearance of Bellarmine, a fine"gentleman who owned a Coach and Six" (p.135), breaking into Leonora's life, she reconsiders her engagement with Horatio, who had "not even a Pair" (p.138). Being a young and inexperienced girl, Leonora asks her aunt for